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BASEBALL: HIGHLIGHTS OF THE OFF SEASON: Wayne Garrett, The Young & Mismanaged. (Or how a constellation of errors revolved around a 3rd. baseman who was too good to be good enough).

WAYNE GARRETT

would be on my mind if I were were 12 at this time of year.

Indeed, the annual revolving door regarding the Mets 3rd. base situation was a true sign of highlights of the off season as surely as a Joe Namath injury.

At 61 baseball is once again occupying  my mind during this off season.

This has transpired during the 50th, !?!?!, anniversary of the Miracle Mets triumphant ascent to their 1969 World Series victory.

We Mets fans have an affinity, perhaps even a predisposition, to bipolar fandom.  2019 has given us the good; Pete Alonso, Jeff McNeil and Jake deGrom,  the bad; relievers Edwin Diaz and Jeurys Familia being worse than the BoSox arson brigade and the ugly 1st. half of  Amed Rosario and the better than O.K.ish 2nd. half of Amed Rosario.

Wayne Garret’s career personifies the essence of the binge and purge nature of the Mets history.

Wayne Garret was one of the Mets of my years’ ages 9 through 20 in Port Washington, Long Island, New York.

Wayne Garrett was not destined for the National Baseball Hall of Fame(NBHOF) and in this case a round-about determinism, deliberate, yet unintentional, prevented him from being the pretty good player that he pretty much usually was.

https://www.baseball-reference.com

Ronald Wayne Garrett was originally drafted by the Milwaukee Braves following his brothers James and Adrian, who played for the Cubs among others in a 163 game career spread over 8 years, in the 6th. round of the very first 1965 amateur draft.  Wayne hailed from Sarasota, FL and attended the high school of the same name.  After 4 years in the Braves system he was selected by the Mets via the Rule V draft for the princely sum of $25,000 in the only minor league transaction of the Mets prior to the 1969 season.

https://sabr.org>bioproject

Biography by Ron Masterson

Wayne Garrett’s rookie year at age 21 found Garrett being the left handed side of a  3rd. base platoon along with the 36 year-old Ed “the Glider” Charles.  Garrett was primarily a 3rd. baseman but also saw some time at 2nd. and shortstop as Mets manager Gil Hodges juggled the Vietnam era National Guard commitments of second sacker Ken Boswell and shortstop Bud Harrelson.

Wayne’s 1/39/.218/.290/.268 slash line hardly excited  anyone, least of all Strat-O-Matic’s Harold Richman, but as a 21 year-old rookie winning a World Series on the the very first winning season in the Mets history one would think that he had dibs on the job.

Wayne hit a HR off the Braves’ Pat Jarvis in Game 3, the NLDS being best-of-5 in 1969, which was the first playoff victory by a Mets team.

One would think…but the Mets didn’t… bringing in Joe Foy from the Kansas City Royals after having been dispatched to expansionville from Boston and putting up a semi-bounce-back season. 

Foy was acquired for Amos Otis and Bob Johnson and was thrust into the starting lineup but was ineffective and developed what would now be called “issues.”

(Otis went on to be the Royals’ CFer for more than a decade but that is another story… which I might tell.  Stay tuned).

Wayne Garrett was back in the starting lineup on a full-time basis after the 1970 All Star break.  In spite of only playing 114 games Wayne exceeded all expectations, including mine, with a 12/45/.254/.390/.421 HR/RBI/BA/OBA/SLG slash line.  Of course, this was a time in which walks were often overlooked but a .390 OBA should have given someone a heads up.  While these numbers didn’t threaten the status of Ron Santo as the N.L’s top 3rd. baseman they are substantial in the light of the Mets team slash line of 120/640/.249/.333/.370.

About this time WOR 9’s Bob Murphy began to regularly refer to Wayne as “the Mets Huck Finn” for his red hair.  Upon visiting Shea to see the Expos, Carl Morton pitched, with my folks and brother Peter I remember looking at Garrett from the box seats my father had bribed an usher $5 for and thinking he looked like a high school kid.  Wayne Garrett was 22 and had taken a huge leap forward to where he looked to be a regular at a position that had been a perennial problem for the Mets.

The Mets had other ideas… none of them very good.  They went out and acquired Brooklyn born Bob Aspromonte from the Houston Astros, the last Brooklyn Dodger to play in the big leagues.  Aspromonte had been an All-Star but his better days were in the past and Garrett was reinserted into the hot corner.

Being jerked around didn’t suit Garrett well; he regressed in power but retained his batting eye.  However the Mets, and most of their fans, focused on Garrett’s low BA and loss of power.  Garrett didn’t seem to be the man for 3B.

In 1972 Jim Fregosi was acquired from the California Angels a a classic ‘highlight of the off season’ trade in exchange for future Hall of Famer Nolan Ryan and perennial prospect Leroy Stanton.

Fregosi had 6 All Star seasons behind him and about 6 weeks as a Met regular in front of him.  I vividly remember seeing Fregosi’s pot belly cascading over his belt on a Mets WOR-9 telecast and wondering why Fregosi looked to have the physique of one of the guys manning the deli counter at Bohack rather than that of a professional athlete.

Once again Wayne Garrett stepped into the void and while a 5/29/.232/.374/.315 slash line hardly inspired euphoria it was the production of a player with a future rather than that of a player with a past. 

Fregosi was sent on his way early into the 1973 season.

“You Gotta Believe” was the Tug McGraw inspired rallying cry of the 1973 Mets.  And while the 83 win Mets did not scale the Olympian heights of the 1969 Miracle Mets they provided almost as many thrills. 

At 15 years of age I was embarrassed by being a MLB fan.  I was  past the age of where being a Mets fan was cool and my shoulder blade length hair, fondness for Steely Dan and hitchhiking the local bi-ways concealed a heart that still bled orange and blue.

1973 saw a pennant race described by Bill at the Sherwin Williams  store at ‘4 one-legged men in a ass kicking contest’ as the Mets outlasted the Pirates, Cubs and the newly ascendant Expos to weasel out 83 wins.

The Ya Gotta believe Mets featured the highlights of Garrett’s career.

In September Garrett clubbed 6 homers of his 16 round trippers while compiling a  16/58/.256/.348/.403 season which proved to be his career pinnacle.

Garrett also turned 36 double plays, second only to the 39 DPs of the Dodgers Ron Cey.

The playoff against the Reds had Cincy 3rd. sacker Dan Driessen, playing out of his usual 1st base role, tagging the base rather than a hustling Garret speeding into 3rd. on Felix Millan’s sacrifice bunt.  Cleon Jones’ double plated Garrett with what proved to be the winning run as the Mets vaulted to the World Series to face the defending champion A’s,

shock the Reds in the N.L. playoffs and give the A’s all they could handle in the World Series before losing in 7 games.

Garrett contributed 2 home runs in the 1973 World Series with the first coming in the 3rd. inning of Game 2 off Vida Blue.

However, Garret’s homer would be overshadowed by the 10-7 12 inning contest which is best remembered for Oakland A’s owner Charlie O. Finley’s attempt to force A second sacker to claim to be injured following his 2 crucial errors in Game 2.

Game 3 saw Garret tag Catfish Hunter with a 1st. inning from the leadoff slot as the Shea faithful roared their approval and I watched from the Sherwin Williams store.  Unfortunately, the A’s won, 3-2, but once again Garrett had  shone in the October spotlight.

Ultimately, the Mets lost to the A’s in 7 games and there are still Mets fans posting on Ultimate Mets Database that manager Yogi Berra should have started George Stone in Game 6 and saved Seaver for Game 7 but that is another story…

1974 finally gave us Wayne Garrett as a full-time player.  Garrett played in 151 games and posted a 13/53/.224/.337/.337 slash line.  Defensively a Range Factor per 9 of 3.12 was a tad above the N.L. average of 3.04, although the extreme flyball tendencies of Tom Seaver, Jerry Koosman, Jon Matlack and Tug McGraw may have forced Garrett’s numbers down a touch.

However, 1974 also gave us Mike Schmidt and Ron Cey maturing into prominent  N.L. third basemen and the slender statistics of Garrett surely looked less than the competent contribution that they were.

1975 saw another retreat on Wayne Garrett’s career trajectory as the Mets had acquired Brooklyn born Joe Torre to man the hot corner.  Torre wound up starting 76 games but his 6/35/.247/.317/.357 resembled that of Garrett’s all too much while demanding that Wayne  fill in as a late inning defensive replacement.

1975 saw a diminishing of my interest in baseball as Steely Dan and shoulder blade length hair had changed my vision.

However, I still perused the NEWSDAY box scores on a daily basis, which I would never admit to my friends at the North Shore Unitarian Universalist congregation, with slack-jawed incomprehension as the Mets diddled away what was left of Garrett’s potential while investing in the 34 year-old Torre…but, of course, Torre was a Brooklyn born name player.

1976 saw a revival of my baseball interest as my long delayed pubescence was near completion and I felt free to return to my boyish passion for baseball.

1976 proved to be the last full season that Garrett spent in Willets Point.  His 4/26/.223/.359/.311 slash line offered some redemption with a more than decent OBA but 58 starts were all that manager Joe Frazier saw fit to offer the now 28 year old Garrett as the “promising” Roy Staiger was the primary player at the hot corner.

In October of 1975 principal owner Joan Payson passed, plunging the Mets into an abyss from 1977 to 1983, although 1976 was an 86 win team. 

The Yankees, under the ownership of George Steinbrenner returned to Yankee Stadium after having spent 1974 and 1975 sharing Shea with the Mets, and with the Jets AND Giants of the NFL in 1974.

1976 also saw the Yankees return to the World Series, and although vanquished by the Reds, the Yanks had claimed the title of “New York’s baseball team.”

Garrett was traded July 21st 1976, along with Del Unser, to the Montreal Expos for Jim Dwyer and Pepe Mangual.

Garrett became a utility infielder in The Great White North, starting 44 games at 2nd. base and only 1 at the hot corner.

1977 saw a further diminishing of Garrett’s role as the Expos had obtained former Philly All-Star Dave Cash for 2nd. base and manager Dick Williams was committed to the potential of Larry Parrish at 3rd.

A sore shoulder and a strained knee ligament contributed to a lack of playing time

By this time I rarely though of Garrett as anything other than ‘a guy who used to play for us’.

Garrett’s trade, oddly enough on the very same July 21st. that sent him to the Expos, to the Cardinals confirmed his utility status even as he hit .333 in 39 games.

Facing professional extinction Wayne Garrett accepted a 2 year contract with the Chunichi Dragons of Nippon Professional Baseball.

By the time the 1978 season ended I lived here in Boston and upon reading of Garrett’s plan to play in Japan all I could do was sigh.

“If I could have played well, run, and thrown normally, that would have been different. I went to Japan, took the money, and did as well as I could. I earned my salary there. It wasn’t the same. It was just to make a few bucks. It wasn’t a lot of fun,” he told Maury Allen, After the Miracle: The 1969 Mets Twenty Years Later (London: Franklin Watts, 1989).

https://sabr.org>bioproject

Mets fans still have considerable affection for a Met who played in 2 World Series.  Indeed, fans reminiscences on

https://ultimatemets.com

praise Wayne Garrett as a friendly, approachable man to the many of us for whom the Miracle Mets were one of childhood’s great events.

The 1973 Mets who fell just short of triumph represented the high tide of Garrett’s career and my fond memories of watching the ‘Ya Gotta Believe Mets’ in the Sherwin-Williams paint store on Main Street of Port Washington, N.Y are always highlights of the off season.

A great player?  Hardly.  An All Star…well…he wasn’t; but he certainly made a contribution more than any of the “real” 3rd basemen who the Mets went through like the used hot dog wrappers that swirled above the Shea Stadium field.

Wayne Garrett was too good to be good enough.

PASSING: Jim Bouton 1939-2019

Jim Bouton the author of BALL FOUR, among other books, passed away on July 10, 2019 from complications of vascular dementia.

Mr. Bouton pitched for the N.Y. Yankees, Seattle Pilots and Houston Astros during an MLB career that lasted from 1962 until 1970.  Mr. Bouton also made a brief comeback in 1978 with the Atlanta Braves.

https://www.baseball-reference.com

BALL FOUR was a seminal event in my evolution as a fan.  By 1970 I was 12 years old and in my 3rd. summer of playing baseball of all types; self-hitting with a rubber-covered hardball, pitching to a brick wall with a Franklin practice ball, stickball, tennis racket baseball and “real” baseball at Camp Pinnacle in Lyme, New Hampshire.

I was old enough and just good enough to get picked to play and my fascination with the AM radio music of 77 WABC had not yet mutated into adolescent rebellion.

BALL FOUR ignited a storm of controversy from the get go what with its descriptions of MLB players being peeping toms, “beaver shooting,” taking Dexedrine, “greenies”, and dalliances with ‘Baseball Annies.”  MLB Commissioner Bowie Kuhn called Bouton on the carpet to discuss the inappropriateness of Bouton breaking the clubhouse code of, “What you see hear, what you say here, let it stay here when you leave here.”

N.Y. Post writer Dick Young called Bouton, and co-author Leonard Schecter “social lepers.”

Perhaps best of all there was a lot of “f…” and “s…” when those words were rarely heard and never printed.  At the age of 12 the thrill of “dirty words” held a significant allure.

I was intrigued and convinced Mom to buy me the book at Raimos’s 5 & 10 on Main St. of Port Washington, N.Y.

I wound up reading the book in 2 days flat, a feat made possible by smuggling a flashlight into my bedroom and reading under the covers.

BALL FOUR was justly known for the shenanigans of players but had real substance.  During the 1969 MLB season memorialized Bouton pitched for the Seattle Pilots, was sent down to the AAA Vancouver Mounties for a spell and then traded to the Houston Astros. MLB had had a diarist before in Jim Brosnan who wrote THE LONG SEASON about the 1960 Cubs in 1961 and PENNANT RACE about the 1961 Reds in 1962. Brosnan’s career as an author precipitated the end of his career as a pitcher as Brosnan refused to sign a contract stipulating that he would write no more. Green Bay Packer guard Jerry Kramer’s INSTANT REPLAY had been a best seller, but the degree of intimacy with the day to day travels and travails of a team were unique to BALL FOUR.

A fringe player, Bouton had won 20 games in 1963 with the Yankees and 18 in 1964 with 2 World Series wins in 1964 before tearing the brachialis tendon in his right forearm which ended his career as a fastball pitcher and prompted his conversion to a knuckleballer.

Bouton pitched for 3 teams in the summer of 1969, which along with being a long distance Dad to an adopted son, made for an episodic summer to say the least.

Bouton’s account of trying to get the Seattle Pilots to compensate him for his moving expenses, as required by MLB, would be funny if it weren’t so serious.

Bouton was pitching for minimum wage and Bouton’s recounting of the early days of the MLBPA, dating back to his time as player representative while with the Yankees, hold real historic interest as a look at MLB during the pre free agent era.

The Seattle Pilots drew a mere 677,944

https://www.baseball-reference.com

fans in their only season in Seattle before decamping and becoming the A.L. Milwaukee Brewers and Bouton’s commentary on being employed by a failing business still resonates with me from my experiences working for failing enterprises.

Baseball as it is really played is one of the educational benefits of BALL FOUR.  The strategic maneuvers of manger Joe Schultz, whose favorite phrases, “f…s…” and “s…f…” dot the commentary, and pitching coach Sal Maglie’s stratagems are endlessly debated with Bouton alternately biting his tongue and attempting to argue his point.

I learned about MLB as it really played and those lessons continue to scroll though my mind as a 61 year old fan.

Most of all the personalities of the players, fringe players hastily thrown together 90 days prior to Opening Day, shine through.  The foibles of Jim Pagliaroni, Steve Hovely, Mike Marshall, and the front office are spotlighted as folks trying to make the best of a marginal situation which most fans had only a trifling awareness of 50 years ago.

Indeed, the frequent references to Dexedrine use among the players is a comment on players trying desperately to hang on to “big league” status.

Mickey Mantle, Roger Maris and Joe Pepitone of the N.Y. Yankees get quite a bit of attention from Bouton’s time as a Yankee.  Indeed Bouton’s description of Mickey Mantle leading a “beaver shooting” expedition on the roof of the Shoreham Hotel in Washington D.C. captured my imagination to the point of loud laughter even though I was only vaguely aware of what exactly the players were looking for.

Although it is certainly valid to criticize Bouton for breaking the “code of silence” Bouton’s affection for his teammates shines through.

Pointed, yes.  Mean, never.

BALL FOUR was a seminal event in my intellectual evolution,  At the tail end of 1970 SPORT magazine, the most intellectual of the sports media of that era printed an article called “You Can’t Go Home Again,” detailing the effect that BALL FOUR had on Bouton’s career.  Quoting Thomas Wolfe’s novel of the same name inspired me to find out who exactly Thomas Wolfe was.

Dirty words lead me to begin reading the VILLAGE VOICE only to discover a guide that would shape my cultural and political consciousness well into adulthood.

Likewise for the journalism of a Hunter S. Thompson, the fiction of William Burroughs, the religious education of the North Shore Unitarian Universal congregation and the music of the Ramones, who never cursed but whose gleeful abrasiveness was Boutonesque to be sure.

Who would have thought that the 1969 Pilots could inspire so much?

In 1970 Bouton put out I’M GLAD YOU DIDN’T TAKE IT PERSONALLY, which recapped the aftereffects of BALL FOUR and Bouton’s persona non grata in MLB.

At about that time Bouton resurfaced doing the sports segment, remember those?, for ABC’S Eyewitness News 7.  Bouton had a real knack for witticisms such as “The Nets didn’t play tonight.  Rick Barry scored 30 points.”

After his sojourn at Eyewitness News Bouton moved to a similar role at Channel 2 and then fell off my radar except for a 4 game comeback with Ted Turner’s Atlanta Braves.

I still had my copy of BALL FOUR and it provided laughs and a bit of continuity for my life here in Boston.

BALL FOUR was named one of the ‘Books of the Century by the New York Public Library in 1999.

Indeed, BALL FOUR’s comments on black and white players rooming together, a ‘thing’ in 1969, Vietnam, emerging feminism and urban decay, not just from Bouton but from a bunch of guys chucking the bull together in a very marginal enterprise.

BALL FOUR is every bit as telling of its time as Hunter Thompson’s FEAR AND LOATHING ON THE CAMPAIGN ON THE CAMPAIGN TRAIL is.

1992 was a year in which I was never employed on a full-time basis.  Fortunately, I had enough know how to keep my spirit strong by visiting the Copley branch of the Boston Public Library and reading the sports books of my youth.

BALL FOUR: FINAL PITCH claimed my eye.  I gave it a thumb through and happened upon the chapter dealing with the death of his daughter which was ‘the only thing in life that was worse than I thought it could be.’  (My redaction).

I borrowed the book and could not put it down.  Bouton reconciles with former Yankee teammate Mel Stottlemyre as Mr. Stottlemyre had lost his 11 year old son Jason to leukemia in 1981.

The joy of Bouton’s 2nd. marriage is recounted in a form that evidences Bouton’s very real literary skill.

Clete Boyer apologizes to Bouton regarding Bouton’s departure from the Yankees and Bouton admits to being very wrong regarding Roger Maris not running hard.

Not to put too fine a point on it but the story of BALL FOUR: FINAL PITCH is of a man entering old age and attempting to come to terms with all of his younger selves.

BALL FOUR: FINAL PITCH’s mix of compassion and competition buoyed my spirit through a long job search.

Finally, BALL FOUR has my favorite ending line of any non-fiction book.

“You see, you spend a good piece of your life gripping a baseball, and in the end it turns out that it was the other way around all the time.”

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Wet cardboard and lime

LIBERALISM 2023

As a newly minted senior citizen it has dawned upon me that I have a different concept of what it means to be liberal than does much of what American society adheres to. 

This liberalism is not grounded in sensitivity, which is the determination to say or do nothing which might give offense,

rather, it is grounded in tolerance which is the determination not to take offense.